Thursday, 29 November 2018

String figures: Endured Educational Design for 'Play'

String figure games, or as we call Cat's Cradle is game that involves simply string and the human mind and body. In this way, it has endured generations across many varying cultures. As such this game becomes a topic to note in lateral responses to re-teach our generation about global justice. 

About:

A string figure is a design formed by manipulating string on, around, and using one's fingers or sometimes between the fingers of multiple people. String figures may also involve the use of the mouth, wrist, and feet. They may consist of singular images or be created and altered as a game, known as a string game, or as part of a story involving various figures made in sequence (string story). String figures have also been used for divination, such as to predict the sex of an unborn child.

According to Camilla Gryski, a Canadian librarian and author of numerous string figure books, "We don't know when people first started playing with string, or which primitive people invented this ancient art. We do know that all primitive societies had and used string—for hunting, fishing, and weaving—and that string figures have been collected from native peoples all over the world."

"Of the games people play, string figures enjoy the reputation of being the most widespread form of amusement in the world: more cultures are familiar with string figures than with any other game. Over 2,000 individual patterns have been recorded worldwide since 1888, when anthropologist Franz Boas first described a pair of Eskimo string figures.

"String figures are probably one of humanity's oldest games, and is spread among an astonishing variety of cultures, even ones as unrelated as Europeans and the Dayaks of Indonesia; Alfred Wallace who, while traveling in Borneo in the 1800s, thought of amusing the Dayak youths with a novel game with string, was in turn very surprised when they proved to be familiar with it, and showed him some figures and transitions that he hadn't previously seen. The anthropologist Louis Leakey has also attributed string figure knowledge with saving his life and described his use of this game in the early 1900s to obtain the cooperation of Sub-Saharan African tribes otherwise unfamiliar with, and suspicious of, Europeans, having been told by his teacher A.C. Haddon, "You can travel anywhere with a smile and a piece of string."

The International String Figure Association (ISFA) was formed in 1978 with the primary goal of gathering, preserving, and distributing string figure knowledge so that future generations will continue to enjoy this ancient pastime. String figures, once thought to have proven monogenesis, appear to have arisen independently as an entertainment pastime in many societies. Many figures were collected and described from south-east Asia, Japan, South America, West Indies, Pacific Islanders, Inuit and other Native Americans. Figures have also been collected in Europe and Africa. 




The lovers Okiku and Yosuke play cat's cradle, by Eishōsai Chōki.

Heraklas' "Plinthios Brokhos" made in a doubled cord. Resembles "A Hole in the Tree" with different crossings
"Osage Two Diamonds".







Art in The Anthropocene
H David 2015
p.269
Martha Kenney interviews Donna Harraway (author of the Chthulucene thesis) 

Donna Harraway is extremely poetic in her speech and writing, and as such adds a creative perspective on the climate of an Anthropocene, pushing for primitive play and lateral thinking.

Extract from the Interview, relating to string figures and their relevance to the practical idea progression;

Donna: I love words that just won’t sit still, and once you think you’ve defined them it turns out they are like ship hulls full of barnacles. You scrape them off, but the larvae re-settle and spring up again. Figuring is a way of thinking or cogitating or meditating or hanging out with ideas. I’m interested in how figures help us avoid the deadly fantasy of the literal. Of course, the literal is another trope, but we’re going to hold the literal still for a minute, as the trope of no trope. Figures help us avoid the fantasy of “the one true meaning.” They are simultaneously visual and narrative as well as mathematical. They are very sensual.

I am interested particularly in string figures, in string games like cat’s cradle— a game played on tentacles or digits of many kinds, like fingers and toes. Cat’s cradle, as Isabelle Stengers pointed out, involves one set of digits or tentacles holding still long enough to receive a pattern passed by another set and then passing a mutated pattern back, so there is stillness and motion, giving and receiving, staying and moving. String figures are also old games; they show up all over the world. So they are an obvious figure for me in thinking about response-ability, feminist environmentalism, and science studies. String figures are SF games. SF games are science fiction, science fact, speculative fabulation, speculative feminism, soin de ficelle, so far (in that these games are ongoing and not finished). Connected to this is Ursula K. Le Guin’s carrier bag theory of fiction, where storytelling is about collecting things up into a net, a bag, a shell, a recipient, or a hollow, for sharing. SF is full of old, important feminist figures.

The training practices helped me rethink the evolutionary roots of the capacity for ethical reasoning. How do we think of evolutionary stories of our responseabilities, of our capacities to respond? Biologist Marc Bekoff developed this really wonderful theory that the roots of ethical possibilities, ethical response-ability, are in play. Critters respond to the meta-communicative apparatuses of play signalling, so that play can go on and remain inventive rather than turn into aggression or something else boringly functional. Because play is one of those activities through which critters make with each other that which didn’t exist before, it’s never merely functional; it’s propositional. Play makes possible futures out of joyful but dangerous presents. Think of the way Stengers theorizes Whitehead’s propositions. Play proposes new abstractions, new lures. Marc didn’t quite say all that, but I took what he gave me and told my stories with his; we played with each other. This is a sym-poietic telling of propositional stories about the origin of ethics— a string-figuring. It figures response-ability as becoming-with, and it’s rooted in the riskiness of play. It’s rooted in taking chances with one another, not in prohibition. Ethics is not primarily a rule-based activity, but a propositional, worlding activity.

Advocates play

I’m working with string figures a lot, for example, with the convergence and divergence of Navajo/ Diné string figures called Na’at’lo and Euro-American cat’s cradle, the ways that both tell the same stories and also tell very different stories. I’m intrigued by the question of who owns stories. Some peoples don’t get to own their stories; the question of sovereignties comes up. In my lectures and in my work in general, I try hard to have a thread of vexed questions of indigeneity in play—thinkers like Kim TallBear and James Clifford help me do that.

Use of Native variations to show their perspective of the world - GAIA ideals - and their civil war with the petrocapitalist companies?

PLAY
The fantasies of the world we inhabit and the magic of the natural phenomenons are highlighted (coral reefs / mountains / ecologies) if they can exist anything can - lateral considerations

When we tell the parabolic and spiked tales of tragic detumescence, tales of the Modern and the Traditional, we get off easy. We don’t have to do a thing. We are not urged to action, we aren’t urged to caring, we aren’t urged to decomposition and recomposition. I want non-Euclidean ruffled tales, studded with tentacles for risky tangling. Ongoing caring requires that we work with figures of re-mediation that are risky and also fun, that we work, play, live, die, that we are at risk with and as mortal critters, that we don’t give in to the techno-tragic story of self-made final death of the Anthropocene, but that we do inhabit the realities of excess mass death so as to learn to repair, and maybe even flourish without denial. MK To return to play, I was playing around with the figure of the Ood,

Noting the visual qualities of sacred geometry to this gives them great context in their visual qualities of 'perfection' and 'pattern', in circulative non-linear forms



Practical Investigation: Brief

[Human centred design - learning through play]

Practical Development

‘How can we convert into image and narrative the disasters that are slow moving and long in the making, disasters that are anonymous and that star nobody, disasters that are attritional and of indifferent interest to the sensation-driven technologies of our image-world? How can we turn the long emergencies of slow violence into stories dramatic enough to rouse public sentiment and warrant political interventions, these emergencies whose repercussions have given rise to some of the most critical challenges of our time?’ (Demos, 2017, p.13)

Findings:

  • Artistic practice is intrinsic and necessary to good thinking and good science 
  • Material figuring 
  • Poiesis itself translates into making 
Greenpeace campaign that said: “If the world was a bank, it would already have been saved.”

“The integration of Nature (spirit), ecology and technology is one of the more challenging problems before us. For many, Virtual reality threatens to obviate experience with natural reality and, perhaps, distort appropriate responses to the events that occur in the natural world”

Traditional means of political and social organising are failing because they are usually rooted in polarising “us verses them” paradigms. 


Expansion:

Everything is material. Humanity is materialistic. The commodity culture we live in, the technological sphere of emerging technologies only exists for the development of products to be sold to the public, thus the best way to understand this is through the exploration of raw materials and man-made materials to provide PERSPECTIVE on our place in the planet, and the configuration of our planet. What is humanities global impact through material alone? – we all know the issues with plastic – we all know about climate change and mass extinction of species – but these things seem so out of reach, this narrative has been going on for years now with no sense of transgression or structural shift. Industry remains, politics remains, capitalism remains – multinational corporations operate in a globalised economy and those who contest it do not have the power they have, so the linear structures continue. The few in power circulate within their tight networks for industry and politics in their own interests, affecting the rest of the world. The imminent effects of climate change (or that humans have had on the planet) did not exist, or were considered fallacy in the world they grew up in. So to change everything one knows for an external factor that has yet to impact the capital flow or entire structures of their business is understandably not in their interests.

We read over post-apocalyptic warnings of both climate and technology because we (think we) cannot operate in the current systems without our comforts. As concepts they are too over-reaching and broad to think about what we can do to diffuse their destructive qualities. However, it is because we have no connection to our surroundings in this generation, or for raw production, and stripped back material. We have lost our connection to the outside world. Studies have shown living near nature is linked to longer lives. Kids sit on iPads – a single unit with infinite games – instead of playing with a ball – we’ve domesticated ourselves and commodified our culture so much that we do not understand the process of making; of extracting, forming, producing, giving. We get lost in the screen-based worlds or colour and endless possibility, so much so, that we forget the basic magic in what formed their instruments we use – raw material (gold, copper, silver) / natures basis / the organic. The food and life this world sustains is unbelievable and alien. The intricacies of the entire planetary system is beyond comprehension. Gain another perspective, and maybe remind oneself of our histories and teachings that seem to be forgotten amongst the chaos of modern capitalist monoculture.

The design solution attempts to produce something that is within reach of the everyday person to come to grips with. It needs to translate nature and humans as one entity not two, where the Earth is our home, and we do not have another one. It needs to express the importance of inter-species connections beyond humanity as a single force that currently operates above and within this world.

Through the use of natural elements and material alone can the design translate:

1. That nature is beautiful, perfect and fragile

2. Nature as an interconnected network of patterns and systems and entities

3. The destructive qualities of the fossil fuel industries

4. The huge imprint humans have on a planet that existed long before and will exist long after – the Holocene gave us the atmospheric composition we need to live, and if we take that away we are only terminating our own existence, not that which operates beyond us?

5. That everything we do online is stored and exists as physical data

Can the design make people:

1. Drive less / consider their modes of transport

2. Use their technologies less

3. Make more conscious purchasing decisions 


4. Engage with nature more

Further findings that the practical wishes to consider:


Ideas of Gaia - the personification of Mother Earth

David Spangler 1990

The sense of living earth enjoyed and practiced by earlier non-industrial cultures grew out of living experience and a closeness to nature that our culture has set aside. It was woven into the fabric of life and culture. The Judeo-Christian tradition arises…from patriarchal social structures, where sacredness has overtones of authority, power distance and maleness, that would have been alien to the spirituality of the ancient Celts of the Native Americas, two cultures that incorporated a sense of the living earth.

We seem to need to call something sacred in order to make it worthy of receiving our highest values and noblest relationships…we should not need to make either ourselves or the earth “sacred” in order to love it and ourselves and to get on with doing what needs to be done to heal and protect the biosphere. How to care about something so large when we have a constant flow of everyday mundane pressures?

Gaia can be an inspirational idea, not mythic or spiritual. Like an Enzyme, it is not important in itself but as it catalyses a process, a means towards something else, a component of a larger emergence.

Thus;
1) The idea of Gaia heightens our awareness of ecological environmental necessities and responsibilities

2) Gaia focuses our attention on issues of life

3) It inspires us to develop modes of thinking and acting that are holistic, systemic, symbiotic, connective and participatory; allowing us to see the world in terms of pattern and not just positions and points, in terms of networks and lattices, not just centres and peripheries, in terms of processes not just object and things

4) Allows us to explore the interrelationship of religion and nature; eco-theology; ‘a deeper dimension of spiritual interaction and communion with our environment’ just as animals do? Understanding that we cannot simply use the image of Gaia to meet emotional, religious, political or commercial need without allowing it to transform us in unexpected and radical ways

5) Gaia inspires us to reflect on our own natures – the development of the individual beyond ourselves, the bigger picture, a mirror to see ourselves anew 


Lovelock writes in Gaia his Hypothesis that humanity might be the evolving nervous system of the earth. At a time when our society seems motivated by no higher purpose than endless expansion and the making of money and when humanity seems to have no purpose beyond itself, this image is striking and refreshing. It would seem to suggest a direction, a connection, a role that we can play in a world that is more than just the sum total of human desires.

The nervous system governs, guides and controls the organisms through reception and integration of sensation and the transmission of thought. Interrelationships between organs play as much role in structuring and transmitting “thought” as does the nervous system itself. Thus we must integrate with all the systems of the earth. We must enlarge our vision of human purpose and activity beyond the personal and the local and put it into planetary perspective and cosmic context. The actions of Gaia are local and specific so that we are made more aware of our interactions with the particular places we inhabit. Its meaning now lies in what it can inspire us to discover about ourselves and the nature of life, in rallying our energies to meet the needs of our environment.

BRUNO Latour – advocates for Gaia and technology to coexist and work side by side


'Now the Anthropocene is a kind of fabulous acceleration of one of the many connections inside Gaia around the question of the human. If Gaia is local, the Anthropocene is even more local: it is local in time. It is the result of one species, and it’s impossible not to be anthropocentric about it. So, it’s about one species, and one small time span. That is what interests Dipesh Chakrabarty so much—it’s simultaneously a deepening of history, because it now moves CO2, plate tectonics, pollution, etc., but in an extraordinary restriction, because it is basically describing a period of only 200 years, or even sixty, which provides a very different view of history. I think it is very important to maintain the distinction between the two, even though you can consider that the Anthropocene is an acceleration, a sudden acceleration, a tipping point of Gaia’s history. Because of the Anthropocene, the destiny of Gaia is connected to ours in a way that’s not predictable, which would not have been predicted by Lovelock twenty years ago. There is this argument from James Hansen, a scientist and activist from NASA who retired recently, who put forward a scenario that because of us the earth could become like Mars: that is, a dead planet. It’s one of the scenarios; in that sense, Gaia is linked to us in a way whereby it or she cannot be indifferent to us.

the question of turning to Gaia becomes interesting…The book attempts to change the view of technology in a way that is not the way of mastery, which then allows you to modify the ways which law and religion are understood, and then you can begin to negotiate with other techniques. But it’s also a slightly bizarre project because it asks, in a time of urgency, to think slowly about what we have done.

when something is networked, you can do something to it and something against it; but you cannot do anything against what is assumed to be overpowering, immense, definitive, and gigantic. '

WHAT IS THE DIALOGUE / NARRATIVE I WANT TO PROJECT ABOUT EACH OF THESE PLANETARY ASPECTS?

MATERIAL CONSIDERATIONS

  • Use of heat sensitive plastic for cover – because our imprint matters 
  • The material has been created using high-quality chemicals that offer a stunning display of change with the additional input of an outside source such as temperature, moisture or light. 
  • Photochromic reversible materials change colour in the sun or under intense UV lighting 
  • Thermochromic reversible material changes colour when touched with warm hands
  • Hydrochromic reversible material changes colour when wet 
  • Lenticular material changes its appearance when viewed from different angles. Liquid crystal material reacts within bandwidths of temperature by exhibiting a spectral change of colour including red, green and blue. 
  • UV; cannot see in normal light only under ultra-violet (black) light 

NATURE

  • Interconnected systems that are all related and affect each other (string figure game?) 
  • The world as one pattern of ebbs and flows in systems that operate alone and together 
  • How little we know about it all because we are just one factor of it 
  • Perfect symmetries (shapes) 
  • Natural organic materials, fresh smells, 
  • Dissolvable qualities 
  • Hyperbolic forms (sacred geometry, golden rations, Fibonacci) 

CAPITALISM / INDUSTRY / FOSSIL FUELS

  • Capture the dirtiness of it 
  • Linear 
  • Focused on ONE element (e.g. if you only feed a plant water and nothing else it will drown, only sun it will dry up, 
  • Bashing plasticine down makes it flat – bashing it a little bit from all sides keeps its shape (depict that using lots of resources is sustainable as gives time for the earth systems to balances out and replenish, and the over-extraction of oil / one energy supply will cause our planet to implode / collapse – consider solar and wind and always elements that are there 
  • Archimedean solids and structures 
  • Colour pigment that changes in the sun – looks grey and bland but give it sun and it becomes rich and blue 
  • Plasticine – hydrocarbons - made from petroleum jelly – paraffin-like substance formed on the rig and made it malfunction, so ironically, they used to use it on cuts and burns as they believed it to have had healing powers 
  • William Harbutt, an art teacher in Bath, England, formulated Plasticine in 1897. Harbutt wanted a non-drying clay for his sculpture students. He created a non-toxic, sterile, soft and malleable clay that did not dry on exposure to air. 
  • Plasticine represents a man made material that is resistant to air – a natural element 
  • It doesn’t harden – it doesn’t dissolve 
  • Mirrors ideals of industry – the enduring man / leaving our print (evidence of our existence will remain for thousands of years due to nuclear and plastic) 


TECHNOLOGY

  • The storage and capacity of the 0s, 1s, 2s, 3s 
  • The space that data takes up; one day on humanities data, printed on letter sized paper in 12pt font double-sided, stacked up, would reach from the surface of the Earth to the sun 4 times over. 
  • Technology as a natural element that came from the Earth’s core – we should use it to assist our development and entwine it to assist natures progression of which we made the damage 
  • The ‘in-between’ space – cyberspace – exists within our world in another dimension 
  • UV pen that exposes things we can understand but cannot see (messages, drawings, dots etc) 
  • HEAT – heating up metal makes it untouchable, however hugging someone who is cold makes them warm, gives them comfort, builds a (human) connection the same way heat is conducted by metal – visualise this? You will not be able to hug your robot 
  • We must consider that which exists which we do not understand, the haptic visual 
  • We process line linearly, forward, but outside our space-time time wouldn’t exist 

If we strip everything back to its basics, and we ask ourselves what is naturally occurring and what is man-made, do we get a clearer picture on how the earth operates and what we can prioritise in our lives to secure our future?

What is linear?

- Time

- Days of the week / months / years

- Language

- Electricity

What is organic?

- Sound

- Plants / vegetation (not all)

- Elements (air/wind, fire, earth, water, space/zero)

- Colours (to what extent)


After Peer Critique:

From peer critique it was evident that the game needed a solid target audience as well as a more commercial flavour to it. As such, the design considered the educational sector, as well as the sort of products sold in museum gift shops as they embrace scientific and creative fusions, as well as tending to be higher end, thus cost becomes less of a daunting factor if the materials are to be as explosive as the concept requires. 
In this way, the design can consider lateral material figuring, like has been seen with the installation design examples investigated, yet apply these in a commercial, ethical and educational way.


Possible name: 


phantasmagoria
noun phan·​tas·​ma·​go·​ria | \(ˌ)fan-ˌtaz-mə-ˈgȯr-ē-ə \

Definition of phantasmagoria
1: an exhibition of optical effects and illusions
2a: a constantly shifting complex succession of things seen or imagined
b: a scene that constantly changes
3: a bizarre or fantastic combination, collection, or assemblage


Target audience:
Schools – target learning industry (demonstration kit) ?

Museums – gift shops and demonstrations on school visits (science, natural history, design)

Vehicle to human centered design that incorporates play

How its distributed

online / postage / warehouse

Who its distributed to 

the general public / schools / camps

Where is it sold 

gift shops / online shopping

Where do they get to engage with it freely?
requires supervision of someone 16+ due to delicacy

Communication factors

simplified language, neutral aesthetic (monochrome?), all-inclusive design (figure out what this means in this context), encourage participation, encourage lateral ways of learning

Wednesday, 28 November 2018

Necessary Quotes


Necessary quotes
Anthropocene context
the proposed new geologic era ‘Anthropocene’ – introduced in 2000 by chemist and Nobel Prize winner Paul Jozef Crutzen, to represent a formal recognition and acknowledgement of the “human signature” on the planet. Experts argue that the end of the current epoch has been marked by striking acceleration since the mid-20th century of carbon dioxide emissions and rising sea levels, the mass extinction of global species, and the transformation of land by deforestation and development.
We are living in a period of intolerable extraction, unequal human deprivation, multispecies extinctions, and blasted ecosystems (MASKED UNDER AN ANTHROPOCENE)
A new geological epoch dominated by humans
Paradigm shift in approach to environmental management
Coined by ecologist Eugene Stoermer and the Nobel-Prize-winning atmospheric chemist Paul Crutzen in 2000 to refer to the influence of human behaviours on the earths atmosphere, lithosphere, and hydrosphere
“In a single lifetime we have grown into a phenomenal global force. We move more sediment and rock annually than all natural processes such as erosion and rivers. We manage three quarters of all land outside the ice sheets. Greenhouse gas levels this high have not been seen for over one million years. Temperatures are increasing. We have made a hole in the ozone layer. We are losing biodiversity. Many of the world’s deltas are sinking due to damming, mining and other causes. Sea level is rising. Ocean acidification is a real threat. We are altering Earth’s natural cycles.”
Expanding discourse amongst academics, artists, humanists, politicians, scientists and the popular press, and taken up in cultural practices, exhibitions and publications
Need for a word to highlight urgency
We have left our imprint – ‘The hydrosphere, lithosphere, atmosphere, everythingsphere, the multiple worldings of the earth will show the effect of the activities of industrial human beings – we are evidenced for thousands of years to come
Sense of events before human domination to exemplify our minute existence and presence in the earths actual timeline,
God Species; Lynas argues ‘that the earth is far out of balance and human as ‘intelligent designers’ must help it regain stability, advocating for the controversial existing technological solutions of genetic engineering and nuclear power. Lynas further explores the ideas of the planetary boundaries group, identifying the interconnectedness of the planetary systems through 9 earth boundaries.
Today human activity affects almost every aspect of the Earth system; we have ‘catapulted our species – and the planet – into an entirely new geological era, the Anthropocene’ (2011, p. 29)
The question is, are we prepared to use our technological mastery to save the planet from ourselves? FIRE WITH FIRE

Capitalism
New aspects of the technosphere - metal mining structures, wooden beams, steam engines, long guns – humans who owned machines mastery over geological matter, industrial owners acquired the potential to cute any other material – giving rise to hierarchy – best exemplified in diamonds, the hardest known substance on earth, could be extracted and sold after 91 million years, feeding the formation of cities, corporations and institutions
Thus was established a legal infrastructure that favoured mining and a social infrastructure that established race-based disenfranchisement, ‘creating a class of black labourers who would serve the emerging white-owned mining houses’
Homogenocene: industrially induced monocultures, race and sex structures
Crimes of war are invented, concentration camps for women and children, economic plunder,
Fossil-fuel burning humanity, where energy autonomy is the highest form of power
Coal-fired power stations are still being built in South Afrca, despite being one of the highest per capita carbon emitters in the world, presenting the exploitation of poorer areas to feed the wests development
We have created structures to claim things that aren’t ones to claim, natural elements, productions we assert dominance over to gain power through resource gathering; as such we see more fragile economies turn to multinational corporations, following the ‘if you can’t beat them join them’ rationale, as the African National Congress hopes for an economic revolution strong enough to starve off rumblings of political revolution, choosing as its allies the oil companies Shell, Chevron, Falcon and Bundu.  The effects of colonialism still in place
Western European colonialism which exploited indigenous people and natural resources enriching the colonising countries, contributing to the current environmental and demographic stresses, an apt example of the consequences of pathology of dominator hierarchies (Ken Wilber SES)
Industrial humanities
Global state socialisms
Multinational corporations hardly embody pluralistic, compassionate vision logic – rather they are examples of dominator hierarchies that flatten the economic landscape by destroying smaller holons with significant political, social cultural, ecological and economic consequences. (Desser, 2007)
Exchange networks, financial networks, extraction practices, wealth creations, maldistributions – our unconsented exploitation of other animals
The resourcing of everything on earth for commodity production
Perspective: three-hundred-million-year-old subterra, now the subject of parliamentary debate, whether or not to fracture the shale from Carboniferous, numbers beyond our comprehension
Necropolitics, coined by philosopher Achille Mbembe; the replacement of reciprocity with commodification between humans, and in human relations with the geosphere, arguing ‘the geological effect of a necropolitical technosphere, on a planetary scale, is the Anthropocene’ (Green, Lesley 2015)
Homogenocene, referring to the massive, global scale homogenisation of biological and cultural diversity that we otherwise call modernity’ – Keiran Suckling, Centre for Biological Diversity
Lynas ‘could not find any convincing evidence that genetically engineered crops of foods ever harmed a single human being or animal’ (2011, p. 103) Transgenic disease-resistant bananas and yam banks show the success of new technology across Africa, the continent which missed out on the Green revolution
The increasing globalisation of the planet, embodied by GATT and NAFTA (“modern forms of ecological ignorance” i.e. “the free market will save us”) and the homogenisation that globalisation entails, will diminish biodiversity and cultural diversity and this loss of complexity will be ecologically (and therefore evolutionarily) devastating. (Desser, 2007)
Colonialization = thingification; philosopher Amie Cesaire 
Alexandra Pirici and Raluca Voinea exclaim the feminist environmentalism needed to assert change, protesting that ‘rather than continue to contemplate our annihilation, contributing to it or declaring hopelessness in front of it’ we must ‘exclude patriarchy in all its expressions and institutionalised forms of violence: domination, exploitation, slavery, colonialism, rofil, exclusion, monarchy, oligarchy, mafia, religious wars.’
If there is to be multi-species ecojustice, which can also embrace diverse human people, it is high time that feminist exercise leadership in imagination, theory, and action to unravel the ties of bth genealogy and kin and kin and species.
Petrocapitalism
Nacogdoches Texas, Wen Stephenson; “we live alongside drilling, pipelines, fracking, compressor stations and chemical storage tanks. Because my family doesn’t own our mineral rights, Exxon has been able to do pretty much whatever they want on our land…my father was diagnosed with leukaemia, a cancer with known links to petroleum production”
Here we see a Marxist capitalist structure, they are killing the local small-scale communities that have lived amongst this previously untouched expanse of natural landscape for generations.
Eriel Deranger, activist and spokesperson for the Athabasca Chipewyan First Nation
Tar Sands Exposed Tour – organised by the climate group 350 Maine, fighting to prevent tar sands oil flow, who has documented the…biblically-proportioned devastation and dire human cost of industrial tar-sands oil extraction – a form of strip-mining considered the most ecologically destructive resource extraction project on the planet
The massive tar sands extraction projects in Alberta are not only ecologically devastating and life-threatening but culturally devastating, threatening indigenous communities to maintain their way of life and their traditional, sacred connection to the land and water – even as that land and water is poisoned, posing legal threats to their health – raises questions of cultural sustainability questions, dominance of white male government, sacred land heritage, smaller communities most in danger / localised threat, collateral damage 
Deranger speaking in Boston; “projects can no longer continue to expand…the causalities being our people, our livelihoods, and who we are…we will fight to the highest levels of law.” “this is my homeland, these are my people…my family. I know people with cancer I know people who are dying” affects of a centralised government concerned with petrocapitalist motives “All we need is the political will to change the course of where we’re going, and respect those who are so impacted by out-of-control, psychotic, bottom-of-the-barrel resource development…indigenous people have become the canary in the coal mine. I don’t want my children to have to be the sacrifice for humanity to wake up.”
This issue becomes one of race when considering “
No one should have their land taken, no communities should be cut through with tar sands exportation, no more tar sands should be extracted at the cost of indigenous life and land, no more oil should be refines in the gulf at the expanse of human health in what are mostly communities of colour
The ongoing, daily work of my community’s resistance to tar sands is completely left our of conversations that centre only around the concept of the “national Keystone fight” – the way that new media ecologies generalise bottom-up issues, whitewashing the extent to which thousands of livelihoods are being threatened. The scale of news that media outlets now cater for in this globalised system fail to present accurate narratives as they must both simplify and embellish for a broad spectrum of audience, as well as being controlled by those whose interests are not with local communities.
Extraction industries hold ultimate power in many communities, and incidences of cancer and petroleum industry related illnesses leaver their mark on families – As a unites movement we must work to improve these conditions and circumstances or risk condemning millions of people right now to living a life impacted by climate change and runaway industry development
Cyberspace
‘I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us’ such a statement juxtaposes this manmade entity with organic freedoms
The naivety of the manifesto exemplifies the tehno-utopian desires of the unregulated tyranny-free technosphere; ‘cyberspace does not lie within your borders…it is an act of nature and it grows itself through our collective actions…our world is different…[it] is both everywhere and nowhere, but it is not where bodies live’. Here we see how the importance of understanding design implication – that which comes after – consequentialism
The manifesto presents an interesting contextual retrospective of Cyberspace; ‘We must declare our virtual selves immune to your sovereignty, even as we continue to consent to your rule over our bodies. We will spread ourselves across the Planet so that no one can arrest our thoughts.’ They essentially threaten this space to be their safe-haven however just ignorantly give motive to the opposition to pursue its counter revolt
Contest the pathology of domination hierarchies with smaller, globally linked, bioregionally based institutions operating out of rational vision logic. Decentralisation, when combined with effective communication, readily accessible information and a democratic sensibility (precisely what computer technology and the internet offer) seems preferable (Desser 2007)

Mass Extinction
The mass extinction events are related to the resourcing of the earth for commodity production, the resourcing of everything on the earth, most certainly including people, and everything that lives and crawls and dies and everything that is in the rocks and under the rocks. We live in the third great age of carbon, in which we are witnessing the extraction of the last possible calorie of carbon out of the deep earth by the most destructive technologies imaginable, of which fracking is only the tip of the (melting) iceberg. Watch what’s going on in the Arctic as the sea ice melts and the nations line up their war and mining ships for the extraction of the last calorie of carbon-based fuels from under the northern oceans. To call it the Anthropocene misses all of that; it treats it as if it’s a species act. Well, it isn’t a species act. So, if I had to have a single word I would call it the Capitalocene.
God Species; ‘The Earth’s living biosphere depends fundamentally on the maintenance of a broad level of species diversity’ (2011, p.45)
‘In order to sustain today’s seven billion inhabitants and a future of nine billion people will require a radical rethinking of traditional environmental opinions.’ Emma Rawlings Smith, Geography 2012 vol 97 part 2

Living in a time of excess mass death, much of it human-induced

Donna Haraway – ‘has inspired generations of readers to think critically and creatively about how to live and work inside the difficult legacies of settler colonialism, industrial capitalism, and militarised technoscience’ (Martha Kenney)

Any geologist of the future will find the synthetic chemistry of DuPont in the composition of the rocks, will find in the hydrosphere the synthetic chemistry of multinational pharmaceutical and petrochemical corporations

Sym-poiesis

Multi-species worlds where suffering and flourishing are unevenly distributed and always at stake
Humans and other earth-bound critters

Human beings within manufactured scarcity apparatuses

We are living in a period of intolerable extraction, unequal human deprivation, multispecies extinctions, and blasted ecosystems (MASKED UNDER AN ANTHROPOCENE)

Decolonising lands, animals and peoples in the US Southwest, or the vulnerable multicritter webs of coral reefs

Complex, biodiverse assemblages like coral reefs can undergo rapid and irreversible changes of state

Rich worlds crucial to human and nonhuman flourishing can and do disappear. Things can be very gradual and then boom _ systems changes mutate life and death radically and suddenly
We need to be committed to radically reducing this obscene weight of reproduction, consumption, and production

Reducing human numbers must involve more social justice, more wealth (EVENLY DISPERSED SYSTEMS)

This commitment must be intrinsic to reducing human demands on the earth
Response-ability – the cultivation of the capacity of response in the context of living and dying in worlds for which one is for, with others –  you and me live here together so we both protect our house

Donnah Harraway is interested in “how figures help us avoid the deadly fantasy of the literal”
Biologit Scott Gilbert and colleagues have started using “holobiont” and “holobiome” rather than “organism” and “environment” to signal the webbed multiplicities that make up any “one” in time and space. This goes beyond textbook, where over-simplification ends up being innacurrate of our multi-faceted existence and constructions


Chthonic figures / gaia
We must consider the mythologies that came before us and set the foundations of our imbedded cultures. Where the death of Medusa gave way to hordes of othercritter existence, her head of which sprang the coral reefs and her decapitated body of which Pegasus derives, the winged horse.
We must listen more to all other worlds and histories that exist within and formed our cultures, all that came before; what has already panned out; and learn from that.
GAIA – iconography as goddess but is neither he nor she but it, genderless
These concepts connote the fantasies of the world we inhabit and the magic of the natural phenomenon’s are highlighted (coral reefs / mountains / ecologies)
Holobiont (assemblages of different species that form ecological units) that is Gaia, Terra, Medusa (of the west) and Incan Pachamama, Navajo Spider Old-Woman – around-the-world mythologies and other-than / non-human narratives, globally acknowledged beings of creation
When we tell the parabolic tales, tales of the Modern and the Traditional, we get off easy. We don’t have to do a thing. We are not urged to action, we aren’t urged to caring, we aren’t urged to decomposition and recomposition. I want non-Euclidean ruffled tales, studded with tentacles for risky tangling. Ongoing caring requires that we work with figures of re-mediation that are risky and also fun, that we work, play, live, die, that we are at risk with and as mortal critters, that we don’t give in to the techno-tragic story of self-made final death of the Anthropocene, but that we do inhabit the realities of excess mass death so as to learn to repair, and maybe even flourish without denial. ­­
Gaia Hypothesis developed by James Lovelock and Lynn Margulis, conceiving the earth as a living entity (ecosexuals, ecosexual bathhouse)
Idea of a world soul, a planetary Logos is an ancient one found in both Eastern and Western culture; a “formative force” an active, intelligent, purposeful spiritual presence at work in the material world to guide an guard the course of planetary evolution – the GESTALT, the wholeness of all the lives and patterns that manifest upon, and as, the earth. (Sprangler, 1990)
The sense of living earth enjoyed and practiced by earlier non-industrial cultures grew out of living experience and a closeness to nature that our culture has set aside. It was woven into the fabric of life and culture. The Judeo-Christian tradition arises…from patriarchal social structures, where sacredness has overtones of authority, power distance and maleness, that would have been alien to the spirituality of the ancient Celts of the Native Americas, two cultures that incorporated a sense of the living earth.  
Immanent, accessible sacred presence pervading all things
Gaia practices these days have lost the focus, it is no longer a way of life but a shiny ideal, with contextual folk stories being sugar-coated by the likes of Disney
We are the products of a materialistic, technological, rational, male-orientated culture, that over 200 years ago set aside the medieval notions of the ‘Great Chain of Being’ in which each and every life had a purpose, a place, and a meaning. – we will not survive unless we all exist, the holistic value of a person, a plant, an animal, or a place – each is as important as the other
We have a sense of incarnation but not of co-incarnation, of the many ways in which the fabric of our identities are interwoven and interdependent in ways extending far beyond just the human milieu. Thus our definitions of life become very reductionist, individualised, and utilitarian. (We must advocate for the whole through coexistence)
Latour, ‘ecologization’; the understanding of our interconnected dependence upon the non-human world in which we are embedded and of which we are composed
‘Because of the Anthropocene, the destiny of Gaia is connected to ours in a way that’s not predictable’ … ‘futures are multiple and there are many ways in which humans will cope. The question is what politics anticipate the catastrophe sufficiently so that these futures stay open’ Bruno Latour

Desser considers lateral thinking, investigating the potential for preserving biodiversity, cultural diversity and indigenous spiritual traditions through the mechanism of organising along migratory routes. Her project seeks to preserve the multiplicity (as opposed to homogenisation) of global culture, since the geographic span of a particular migratory route will encompass diverse cultures and traditions.
Her motive is to help people begin to understand that ‘no place is as important as the place where they live (wholeness), except…every other place (partness), and that all places are evidence of Nature.’
Ken Wilber SES “how to get people to internally transform…to a worldcentric consciousness…that can grasp the global dimensions of the problem…and eagerly embrace global solutions” (p.518)
Comprehensive ramifications of ones actions and how it fits into a global context
Chris Desser 2007 believes the evolution of consciousness depends on ecological sustainability which can only be achieved if people come to understand the interrelationship and interconnectedness of life on this planet and modify their behaviour accordingly
‘mall-proliferating times’ Humans may have more depth and complexity than trees, carrots and dirt, but the things that humans fabricate generally do not. And those things are reducing the complexity of our biosphere (rendering species extinct and diminishing biodiversity)
Desser developed a project that linked communities based on the migratory species that pass through them, to achieve an ‘integrated mode of awareness’ as the seasonal migrations of many species simply and effectively illustrates the interconnectedness and interdependence of life on this planet and the whole/part nature of things. WITH THE HOPE of developing an awareness of the need for an environmental ethics that is based on rights and relationships, as all places along the route contribute to the entire systems survival. She further notes the cultural, artistic and social manifestations of species in various communities along the way (the presence of a species in the art and music of a people and a place)
Hopes for ‘an understanding of commonality along a shared migratory corridor will emerge and give rise to the “healing impulse…that comes from championing…mutual understanding and interior qualitative distinctions”
What impact can the media have in bringing about a centauric epoch (consciousness above the ego-self) – stating that the electronic media is a primary agent in the homogenizing of culture.
Christina Desser proposes a centauric epoch that focuses on the consciousness above the ego-self, calling for Wilber’s vision of the “bodymind integration of the centaur anchored in woldcentric vision-logic” in the hope of providing a different way of thinking about activism and politics.

Conclusion: perspective
‘I don’t think it’s a concept that’s going to last, but while it’s here we should use it because it is a connector, and it brings together artists, scientists and philosophers.’        Interesting alternative view on the Anthropocene’s potential to unify our minds, cover perspective, and as a result, draw well informed decisions.
It asks in this time of urgency, to think slowly about what we have done
‘global perspective and universal pluralism’
Despite condemning the misfocus on the terminology of a proposed Anthropocene, he notes its important contribution ‘as a public and scholarly dialogue that has put artists, cultural critics, political economists, historians, geographers, biologists and many others into conversation.’ as we begin to address and define our effects on the planet. 
This dialogue suggests something of the zeitgeist: the intuition that Nature/Society dualism cannot serve us in an era of accelerating climate change and mass extinction. At the same time, the responsibility of the radical is to name the system and identify how the Anthropocene is implicated in capitalist power, symbolically and materially. That the Anthropocene, at its core, is a fundamentally bourgeois concept should surprise no one. 

‘it remains urgent to bring these critical humanities-based resources to bear on scientific discourse in order to disrupt specialist divisions, democratise debate, and pose critical questions of political significance to discussions regarding environmental developments that in one way or another are having major impacts on the lives of all’ explains the necessity of checks and balances, as seen within political systems
The aim of the project is to ‘illustrate in detail the unfolding of the thesis of the Anthropocene in its many streams of influence’ – Anthropocene observatory
The Anthropocene discussion is really just important to draw the conclusion that climate change is imminent and we must act now and change all our capitalist ridged petrocapitalist structures and necro-politics to call for immediate offset of our climate impact
Fossil fuel burning plastic use as well as our mentality on how we see our home and that nature and humans are not two separate entities
This shift in perspective and socio-economic structures with the hope of affecting climate change is the only way to secure our future INTERCONNCTIED STRUCTURES OF FLOWS RATHER THAN RIDIGID LINEAR STUCTURES – ECOSYSTEMS ALL AFFECT EACH OTHER,
Capitalist society means few companies at the top overselling their singular product – this causes the overuse and extracting of one single resource that disrupts the harmony of our entire natural ecosystems and processes (e.g. fossil fuels / oil / crops) over-extraction that will not end until our global structures are drastically changed to more sustainable ones that are less far-reaching and singularly dominating
And this cross the board discussion from all highbrow industries? Is what is needed to begin the imminent rebellion…as seen with extinction protests – people have lost all shame as this is so much bigger than us – it is life or death and our home and our future and our children future
CHANGE OF PERSPECTIVE - OUR HOUSE SITS ON OUR HOME, WE NEED TO UNDERSTAND THAT ROADS, STRUCTURES EVERYTHING WE KNOW CANNOT EXIST WITHOUT OUR HOME, SURFACES  AND RESOURCE